4.2 (2018)
Contents
From the Editor (5)
More Than a Soundtrack: Music as Meaning in Howards End (11)
Patrick McCullough, Rhode Island College, Providence
The Experiment of Rebelling in Beckett: The Impact of Camus and Havel (26)
Ivan Nyusztay, Budapest Business School, University of Applied Sciences
“my thoughts are elsewhere”
Reading (In)Attention in Beckett’s The Unnamable (41)
Thomas Thoelen, Vrije Universiteit Brussel
Experiments with Time Structure in Tom Stoppard’s Dramas (53)
Jadwiga Uchman, University of Lodz
Truth Out of Context: The Use of Found Footage in Let The Fire Burn (68)
Kevin King, University of Lodz