8.1 (2022)
Contents
From the Editors (5)
“Literary Critics Make Natural Detectives” – Or Do They? Detection and Interpretation in A. S. Byatt’s Possession: A Romance (7)
Agnieszka Seredyńska, independent scholar
Violence and Rejection: The Hegemony of White Culture and Its Influence on the Mother–Daughter Relationship in Toni Morrison’s The Bluest Eye (25)
Magda Szolc, University of Opole, Poland
Colonial/Imperial Discourses in a First-Contact Narrative: Terry Bisson’s “They’re Made of Meat” (1991) (43)
Adam Briedik, Constantine the Philosopher University in Nitra, Slovakia
“When You’re Most Invisible of All”: The Search for Identity in Jon McGregor’s Even the Dogs (66)
Fatmah Al Thobaiti, Taif University, Saudi Arabia
The Distortion and Demise of Language and the Written Word in Aldous Huxley and Selected Russian Dystopias (82)
Marek Ochrem, University of Wrocław, Poland
An Appropriated Antipodean Monstrosity Revisited: Jane Campion’s The Piano as a Comment on Shakespearean “Salvage and Deformed Slave” and The Tempest (104)
Jacek Fabiszak, Adam Mickiewicz University, Poznań
English and Sustainable Languages: Collective Consciousness in Bangladesh (123)
Abdul Awal, University of Łódź, Poland
The Preferences of Teenage Readers Regarding the Translation of Cultural References in Adolescent Fiction: a Pilot Study (154)
Jerzy Skwarzyński, John Paul II Catholic University of Lublin, Poland
Review: Anna Kérchy and Björn Sundmark (eds.), 2020. Translating and Transmediating Children’s Literature (175)
Bálint Szántó, University of Szeged, Hungary